Titlebook: Asian and Western Writers in Dialogue; New Cultural Identit Guy Amirthanayagam (Poet and essayist, heads the r Book 1982 Guy Amirthanayagam

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Notes Towards a Definition of International Culturehe Second World War, we have seen a great deal of interest, on a global scale, and in a very wide variety of quarters, with the idea, or the issue, of ‘culture’. Now the term ‘culture’ has long been a repository for many anxieties. It is a term that warms the spirit, with the sense that it speaks to

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Literature in the Global Village: An Inquiry into Problems of Responseuse it has been traditionally recognised that literature alone, thanks to its unique inherent resources, can offer the most complete and the most authentic experience of a people. What is also recognised is its twin-values . and ., ‘social utility’ and ‘ultimate value’, or that by which all else is

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The Portable Pagoda: Asia and America in the Work of Gary Snyderamong American readers. Those who do know his work are proud of the achievement, not only because he is nativeborn, but partly because his writing, nourished by adventurous and disciplined studies in Asia, happens to evoke and replenish themes that are American. These particularistic expressions are

Entrancing

Two Readers and Their Textsthem that count in a specific encounter, as embodied in a literary work, the reader may be identified with one or the other. It is possible for him to change over the years, increasing or diminishing his identification and understanding. If the reader’s sensibility is affected by the writer’s point

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