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Titlebook: Artistic Research in Performance through Collaboration; Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au

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發(fā)表于 2025-3-21 17:51:08 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Artistic Research in Performance through Collaboration
影響因子2023Martin Blain,Helen Julia Minors
視頻videohttp://file.papertrans.cn/163/162748/162748.mp4
發(fā)行地址Explores new approaches to, and new understandings of, arts performance practice through the processes of collaboration.Examines the role of the practitioner-researcher across a variety of art forms.E
圖書(shū)封面Titlebook: Artistic Research in Performance through Collaboration;  Martin Blain,Helen Julia Minors Book 2020 The Editor(s) (if applicable) and The Au
影響因子This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.??.? ? ? ? ? ? ? ? ? ? ? ? ?.
Pindex Book 2020
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發(fā)表于 2025-3-21 20:34:49 | 只看該作者
The design of a new FPGA architecture,rchers in music performance. I question the usefulness of a one-size-fits-all conceptualisation and definition of research collaboration. Highlighting the knowledge-political issues and power hierarchies that have been pervasive in the context of musicological and music psychological research that i
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發(fā)表于 2025-3-23 00:14:54 | 只看該作者
Multithreading for Logic-Centric Systemsdance, the authors compare understandings of collaboration, authorship and ownership between dance and the law (copyright). Collaboration emerges as a key component of contemporary dance but one which is poorly framed in the law. The chapter explores how the artists see themselves as ‘a(chǎn)uthors’ and ‘
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發(fā)表于 2025-3-23 08:09:25 | 只看該作者
Milena Císlerová,T. Vogel,J. Simuneke course of making the multi/interdisciplinary performance . Focusing on their respective positions as ‘insider’ and ‘outsider’, the authors consider the efficacy of different types of collaborative approaches tried out over the course of the project in relation to what, following Lavender, they def
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