Titlebook: Artistic (Self)-Representations of Islam and Muslims; Perspectives Across Ramona Mielusel Book 2021 The Editor(s) (if applicable) and The

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(P)raising Islam: When French Muslim Rappers Advocate for Peace, Love, and Unity in a Multicultural mic rap,” I will demonstrate that the rappers of my analysis promote mostly an Islam advocating a . in the French nation through universal values of peace, love, and unity more so than messages of violence or opposition to the republican values like other forms of rap might do. It is only fair to po

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Drawing the Muslim Self: Muslim Citizenship and Contemporary Islam in Franceas this community responded to Islamophobic tendencies that have resulted in negative media representations? To answer this question, this chapter explores Norédine Allam’s . as an example of Muslim self-representation. That .’s cartoons led the Kouachi brothers to target its offices in 2015, killin

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ional and transversal set of artistic voices that invoke dis.Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb. is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural id

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Field Effects on Reacting Systems,etely disappeared in the Algerian landscape. They have been dormant for a few years but ready to strike again at any moment and in different forms. Each of these films tackles a different (and yet related) aspect of radical Islam in Algeria since the end of the Dark Decade in the early 2000s.

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Representations of Radical Islam in Merzak Allouache’s Most Recent Filmsetely disappeared in the Algerian landscape. They have been dormant for a few years but ready to strike again at any moment and in different forms. Each of these films tackles a different (and yet related) aspect of radical Islam in Algeria since the end of the Dark Decade in the early 2000s.

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Nicolas Boukhrief’s ,: Nuancing the Mediatized Approach to Islamic Terrorismho thinks as one, but as individuals who have other values, interests besides their religion. Further, a huis-clos allows the film director to demonstrate that jihad is not just a transnational and networked phenomenon, but can be the outcome of local individuals driven by fanaticism.