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Titlebook: Artistic (Self)-Representations of Islam and Muslims; Perspectives Across Ramona Mielusel Book 2021 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 16:57:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Artistic (Self)-Representations of Islam and Muslims
期刊簡(jiǎn)稱(chēng)Perspectives Across
影響因子2023Ramona Mielusel
視頻videohttp://file.papertrans.cn/163/162744/162744.mp4
發(fā)行地址Explores the artistic self-representation of Muslim religious and cultural identity in France and the Maghreb since 2000.Features a transnational and transversal set of artistic voices that invoke dis
圖書(shū)封面Titlebook: Artistic (Self)-Representations of Islam and Muslims; Perspectives Across  Ramona Mielusel Book 2021 The Editor(s) (if applicable) and The
影響因子.Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb. is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke .dissensus. (Rancière) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. .This interdisciplinary study contributes to the fields of Frenc
Pindex Book 2021
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Artistic (Self)-Representations of Islam and Muslims978-3-030-81234-8
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Springer Series on Agent Technologyhich, for certain female characters in Belhaj Yahia’s novel, seems to function as an instrument of communication and integration within a social circle, also refers to a big crisis and to a regression of Tunisian women who only see it as a form of dissidence and an instrument of confinement.
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Commercial Off-The-Shelf Implementationsind contemporary discussions on what it means to be Muslim in the Maghreb in the twenty-first century. Khalfallah exploits this question through an allegorical interpretation of the sun and the moon, their significance in Christianity and Islam, to the French monarchy and the Ottoman empire, and by
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(2011) by Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisiahich, for certain female characters in Belhaj Yahia’s novel, seems to function as an instrument of communication and integration within a social circle, also refers to a big crisis and to a regression of Tunisian women who only see it as a form of dissidence and an instrument of confinement.
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Eclipsing the Sun in Amira-Géhanne Khalfallah’s , La Lune: Re-Appropriating Islamic Power Dynamics Tind contemporary discussions on what it means to be Muslim in the Maghreb in the twenty-first century. Khalfallah exploits this question through an allegorical interpretation of the sun and the moon, their significance in Christianity and Islam, to the French monarchy and the Ottoman empire, and by
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