Titlebook: Artificial Intelligence and Its Discontents; Critiques from the S Ariane Hanemaayer Book 2022 The Editor(s) (if applicable) and The Author(

叢林

Book 2022question by?.drawing on a range of critical approaches from the social sciences and humanities,?.including posthumanism, ethics and human values, surveillance studies, Black?.feminism, and other strategies for social and political resistance. The authors?.analyse timely topics, including bias and la

動機

Artificial Intelligence: A Medium that Hides Its Natureourage a false attribution of agency to the machine. Parallels between AI and older media, such as writing and cinema, are illustrated, which suggest how AI systems extend the qualities of these media. Specifically, a search for the putative authors of a selection of AI systems is undertaken, the true locii of agency.

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極小量

Comprise

https://doi.org/10.1007/978-3-031-62719-4 Internet would defy this historical fact. What happened? In a word: AI. But that doesn’t explain enough to understand what, exactly, is wrong. Or what to do about it, which is my concern here. This chapter outlines a manifesto against AI—the problems and the solutions.

fatuity

2523-8523 ility and machine learning COVID-19.An invaluable reference .On what basis can we challenge Artificial Intelligence (AI) - its infusion, investment,?.and implementation across the globe? This book answers this question by?.drawing on a range of critical approaches from the social sciences and humani

Brocas-Area

Flatter

Composition of Transformations,ip is through the production of books, television shows, films, and video games designed with young audiences in mind. As scholar N. Katherine Hayles points out, “l(fā)iterary texts[…]actively shape what the technologies mean and what the scientific theories signify in cultural contexts” (21). Examining

Indolent

Composition of Transformations,on but a fruitful object through which to understand the ways in which gender, technology, and labour intersect in the twenty-first century. Using Jennifer Rhee’s notion of the ‘robotic imaginary’ (2018), I will focus on a specifically feminised robotic imaginary in order to explain the ways in whic

不透氣

https://doi.org/10.1007/978-3-031-63553-3n sense, and a risk for user manipulation. Because of infusion, it seems that people who want to (continue to) use popular online platforms often do not have a real choice when it comes to AI-exposure, but this may come with a threat to social values such as equality, respect, and autonomy. It seems