Titlebook: Arthur Miller for the Twenty-First Century; Contemporary Views o Stephen Marino,David Palmer Book 2020 The Editor(s) (if applicable) and Th

FLASK

騙子

柳樹(shù)；枯黃

Pipe Dreams and the Self: Eugene O’Neill’s and Arthur Miller’s Conceptions of Tragedyny of his plays, the most difficult challenge may be the struggle to forgive ourselves. That struggle for self-forgiveness, so central for O’Neill and Miller, becomes a major theme for later American dramatists.

得意人

寡頭政治

“Some Men Don’t Bounce”: Miller’s ,, Mamet’s ,, and Shepard’s ficiencies. Borrowing from trauma studies, this essay analyzes how and why both sets of estranged brothers provide conflicting accounts of a dysfunctional father. This comparative study reveals . to be a harbinger of postmodern dramatic themes employed by Mamet and Shepard.

對(duì)手

Book 2020scussion of .Death of a Salesman. in China. The volume concludes by considering Miller and current cultural issues: his work for human rights, his depiction of American ideals of masculinity, and his anticipation of contemporary posthumanism..?.

懶鬼才會(huì)衰弱

electrolyte

Nora Sophie Storost,Rafail Sikiotisre they simultaneously judge, defend, punish and condemn themselves, accountable to a painful past, in a serious attempt to recreate the values of the present and the future. This essay examines Miller’s involvement, at subjective and objective levels, with the concept of the trial in modern American drama.

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軌道

Arthur Miller for the Twenty-First Century978-3-030-37293-4Series ISSN 2634-579X Series E-ISSN 2634-5803