Titlebook: Art, Ethics and the Human-Animal Relationship; Linda Johnson Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li

Pamphlet

Oligarchy

Introduction,works of art that represent animals in the main categories of human–animal dependency—such as food, clothing, and transport. As atypical forms of autobiography, animals are represented within a patriarchal tradition, where the visual language of their “story-making” is composed of binary oppositions

Tonometry

A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery,s in the works of late Medieval and early Renaissance religious depictions of Eden. Cats were represented in a myriad of symbolic postures and gestures as duplicitous in myth, biblical narrative and contemporary thought. Beliefs regarding Eve’s sexual transgressions were gleaned from scriptural and

Obstacle

Flavouring

Obvious

疾馳

LIMN

Absent Referents: Bristly Brushes,he crafting of brushes in the works of Frans Snyders and Hans Holbein. As invisible incidentals these animals’ lives became a “necessary loss” in the realm of art making. Literally present as brushes and pencils, the coats of their bodies were corporeal sacrifices to the art of painting. Inter-speci

外露

誘惑

2634-6672 intings ofWilliam Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.978-3-030-78835-3978-3-030-78833-9Series ISSN 2634-6672 Series E-ISSN 2634-6680