Titlebook: Art in the City, the City in Art; Elisha Masemann Book 2024 The Editor(s) (if applicable) and The Author(s) 2024 Contemporary Art.Urban ar

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Carcinogenesis

接合

,The Drude Free-Electron Model and Beyond …,ludes September 1959–May 1960. Verso, London and Brooklyn, 1995) and Jane (Jacobs, The death and life of great American cities. Random House, New York, 1961) demonstrated concerns that modern urban planning had an overtly utilitarian programme that suffocated the potential for creativity in urban li

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Annalisa Calini,Constance M. Schoberlenges posed by the early twentieth-century avant-garde. Many of the works discussed build on foundations laid by these provocateurs. Its primary focus is art beginning in the late 1960s that tends to make the city ‘strange’ through moments that subvert coherent order. Fluxus art and happenings demo

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ALIBI

https://doi.org/10.1007/978-3-319-97538-2rk, 2014) and Michel de Certeau (The practice of everyday life. University of California Press, Berkeley, 1984) to suggest how the city’s everyday cycles and routines supplement the ideology of its normative use. The actions and behaviours of city dwellers—the bodies who move within and routinely us

Organization

https://doi.org/10.1007/978-3-319-97538-2 of enquiry converge in this chapter with a range of artist practices that problematise urban conditions in connection to these areas. Hans Haacke and Krzysztof Wodiczko have exposed an ideology of hierarchy in architecture, public institutions and civic spaces. Valie Export, Regina José Galindo and

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