Titlebook: Art Theory for a Global Pluralistic Age; The Glocal Artist Steven Félix-J?ger Book 2020 The Editor(s) (if applicable) and The Author(s), un

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The Global Pluralistic Conditionorld that acknowledges and values global expressions of art, and makes room for all the artistic discoveries of bygone eras. Consequently, this new lateral emphasis has caused the West to open itself back up to a globalized, cosmopolitan, pluralist present.

Mosaic

The Effects of Globalization on Art and Aestheticstuates a plurality of critical voices. With a new emphasis on plurality, theories of art fail if they are based on particularized intrinsic qualities. As such, a glocal theory of art must find extrinsic qualities for classifying and evaluating art.

Spina-Bifida

Negotiating Glocal Narrativeser, are still rooted in particular locales even while engaging and passing through myriad cultural surroundings. Artists aid in cultural flattening within the globalization project, yet add distinctive local narratives to the artworld as well. A glocal theory of art admits and amalgamates both local frames and networks of competing frames.

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Introduction,dresses the present era’s shift toward global pluralism. The book takes on an analytic approach to construct a narrative-hermeneutical theory of art that can classify, understand, and judge artworks that engage glocal narratives.

Ceremony

The Global Pluralistic Conditioning a building down block by block, the global pluralistic age is the new building that was constructed out of those old blocks. The global pluralistic age is not an outright rejection of modernity, but a nonlinear trajectory that considers multiple narratives while balancing multiple modernities. W