Titlebook: Art History for Comics; Past, Present and Po Ian Horton,Maggie Gray Book 2022 The Editor(s) (if applicable) and The Author(s), under exclus

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Establishing Canons, Styles and Schools at the Dawn of Comics Studies-historical methods to comics, assembling a litany of significant artists and schools, identifying key formal features of canonical works, and applying established categories of historical stylistic cycles.

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Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “. The chapter concludes by rigorously applying the comparative stylistic categories developed by art historian Heinrich W?lfflin to distinguish between Renaissance and Baroque art to analyse the visual styles employed in the Judge Dredd storyline “The Cursed Earth” published in the British comic ..

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Why Does Comics Studies Need Art History (and Vice Versa)?,tory, such as stylistic analysis, iconography, Cultural History and the social history of art which informed some of the earliest comics scholarship, as well as engaging with the ideological self-criticism Art History has subjected its categories and methods to since, new forms of interpretation are made possible.

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A Social History of Comics Art: Looking at Writers and Readers’ ical approach to print, graphics and popular culture such as Adrian Rifkin, Frances Stracey and Esther Leslie, before sketching what a social history of comics might look like through an analysis of the Writers and Readers’ … . series of “documentary comic books”, specifically . by Robert Lekachman and Borin Van Loon.

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Variations of Formalism, Modernism, Abstractionthe writing of David Beron?. Studies of abstract comics, particularly by Andrei Molotiu, have drawn more explicitly on modernist art theory, and in turn been criticised for the limitations of a formalist approach, most recently in the two-volume edited collection . from 2019.