Titlebook: Art History for Comics; Past, Present and Po Ian Horton,Maggie Gray Book 2022 The Editor(s) (if applicable) and The Author(s), under exclus

敵意

Anwendungsbereiche von Peer Review,rship on the relationship between comics and modernism does not fully consider the heterogeneity of modernism in both theory and practice. This chapter examines the different uses of the term modernism in Art History and traces the development of modernist formalist art theory from the work of Roger

Extort

Aktuelle Definition(en) von Peer Review,rical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open

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Conclusion: Future Directionsrical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open up avenues for future research.

Presbycusis

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poliosis

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978-3-031-07355-7The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/b/image/161805.jpg

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Why Does Comics Studies Need Art History (and Vice Versa)?,rspectives to bear on the study of comics, allowing for greater attention to be paid to the visual and material aspects of the medium, in contrast to dominant literary approaches. It presents the overall argument of this book—that by using methodological and theoretical approaches drawn from Art His