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Titlebook: Art Collections, Private and Public: A Comparative Legal Study; Elina Moustaira Book 2015 The Author(s) 2015 Artworks.Collecting.Comparati

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發(fā)表于 2025-3-21 17:54:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Art Collections, Private and Public: A Comparative Legal Study
影響因子2023Elina Moustaira
視頻videohttp://file.papertrans.cn/162/161799/161799.mp4
發(fā)行地址Presents legal analysis of private and public art collections from a comparative perspective.Describes the connection between art and law.Analyses the particularity of persons, objects and laws.Clarif
學(xué)科分類(lèi)SpringerBriefs in Law
圖書(shū)封面Titlebook: Art Collections, Private and Public: A Comparative Legal Study;  Elina Moustaira Book 2015 The Author(s) 2015 Artworks.Collecting.Comparati
影響因子This book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
Pindex Book 2015
The information of publication is updating

書(shū)目名稱(chēng)Art Collections, Private and Public: A Comparative Legal Study影響因子(影響力)




書(shū)目名稱(chēng)Art Collections, Private and Public: A Comparative Legal Study影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Art Collections, Private and Public: A Comparative Legal Study網(wǎng)絡(luò)公開(kāi)度




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書(shū)目名稱(chēng)Art Collections, Private and Public: A Comparative Legal Study被引頻次學(xué)科排名




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https://doi.org/10.1007/978-3-319-15802-0Artworks; Collecting; Comparative law; Cultural heritage; Galleries; Museum
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發(fā)表于 2025-3-22 05:23:43 | 只看該作者
Elina MoustairaPresents legal analysis of private and public art collections from a comparative perspective.Describes the connection between art and law.Analyses the particularity of persons, objects and laws.Clarif
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SpringerBriefs in Lawhttp://image.papertrans.cn/b/image/161799.jpg
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Lateral Structure of Showers and Energy Flowy about art collecting which, from a distinguished occupation mostly moving around cultural choices, has also become a set of economic choices, putting art works in the framework of a series of investment products.
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