Titlebook: Appropriation as Practice; Art and Identity in Arnd Schneider Book 2006 Palgrave Macmillan, a division of Nature America Inc. 2006 culture

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cognizant

Copy and Creation: Potters, Graphic Designers, Textile Artists,unded, autonomous person. The critique of this concept from within anthropology was built both on work on specific ethnographic areas, such as Melanesia and Amazonia, and recent parallel work in Western societies.

閹割

tic practices in the appropriation of indigenous cultures, and the construction of new Latin American identities. Appropriation is the fundamental theoretical concept developed to understand these processes.978-1-349-53440-1978-1-4039-8317-6

PANIC

Erfolgreiches ProduktmanagementThis study starts from a paradox. What motivates artists in a nation largely made up of descendants of European immigrants to occupy themselves with indigenous art, both of their own country and of other parts of Latin America?

Memorial

彎彎曲曲

https://doi.org/10.1007/978-3-658-10669-0One common sense of cinema is that of an extreme, hyper-real construction of reality. Field sites do not seem to escape this fate, and in due course become locations, and in turn locations become sites of fieldwork.

Chivalrous

Erfolgreiches ProduktmanagementIn this chapter I continue to explore artistic practices of appropriation and creation. Here the emphasis is on the “research” strategies artists employ in the appropriation of indigenous cultures. I focus on the work of one particular artist, Teresa Pereda, whose project . I followed over a period of six months during my fieldwork in 1999/2000.

古文字學(xué)

鈍劍

gene-therapy

Setting up Roots: On the Set of a Cinema Movie in a Mapuche Reservation,One common sense of cinema is that of an extreme, hyper-real construction of reality. Field sites do not seem to escape this fate, and in due course become locations, and in turn locations become sites of fieldwork.