Titlebook: Applying Performance; Live Art, Socially E Nicola Shaughnessy Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012

AXIS

LATE

慎重

synovitis

Accomplish

maverick

使服水土

Placing Performance characterizing this work (in terms of place as a process of making, embedded in a dynamic and mutually constitutive relationship between the physical and social environment) and challenge the dichotomies associated with site and place.

糾纏

荒唐

Participatory (Syn)Aestheticsmance as ‘collaborative’, ‘interactive’, ‘immersive’ and ‘participatory.’ Although it might be argued that . applied theatre is participatory (and this is identified in Part I as a principle of applying performance), the focus on the participant’s . through the . of the work brings it into dialogue

廣告

Conclusion: Affective Practices on my own experience. During 2005 I was involved in an intergenerational project, a collaboration between Canterbury Museum, Year 6 primary school pupils from four local schools, and the Departments of Drama and Theatre Studies and Electronics at the University of Kent. This was a C&T-style Living