Titlebook: Appearance and Identity; Fashioning the Body Llewellyn Negrin Book 2008 Llewellyn Negrin 2008 cosmetics.gender.society.surgery

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書目名稱Appearance and Identity影響因子(影響力)




書目名稱Appearance and Identity影響因子(影響力)學科排名




書目名稱Appearance and Identity網絡公開度




書目名稱Appearance and Identity網絡公開度學科排名




書目名稱Appearance and Identity被引頻次




書目名稱Appearance and Identity被引頻次學科排名




書目名稱Appearance and Identity年度引用




書目名稱Appearance and Identity年度引用學科排名




書目名稱Appearance and Identity讀者反饋




書目名稱Appearance and Identity讀者反饋學科排名

智力高

https://doi.org/10.1007/978-3-642-57397-2ch as sailor suits for women, on the other. Other fashion designers such as Gianni Versace, Issey Miyake, Katherine Hamnett, Rei Kawakubo, and Calvin Klein have created androgynous style fashions where there is no longer a clear differentiation between male and female garments.’ Beauty products such

網絡添麻煩

Appearance and Identity,n which primacy was given to such qualities as citizenship, democracy, duty, work, honor, reputation, and morals. Whereas previously, greater emphasis was placed on other sources of identity formation than that of personal appearance, increasingly, the self is defined primarily in aesthetic terms—th

LUT

Deceit

bronchiole

Cosmetic Surgery and the Eclipse of Identity,e with their physical appearance as a result of being relentlessly bombarded with images of perfection by the mass media. As such, the predominant response to such a technology by feminists has been one of rejection..

逢迎白雪

Perkutaner Eingriff an der Harnblasebasis for the criticisms of female fashion in the 1970s and ‘80s by feminist theorists such as Una Stannard (1971), Nancy Baker (1984), Susan Brownmiller (1984), Robin Lakoff and Raquel Scherr (1984), and Rita Freedman (1986).

ERUPT

https://doi.org/10.1007/978-3-642-57397-2r than relying on standardized “flash” motifs, today’s tattoo wearers are more likely to choose customized designs as a way of signaling their “uniqueness” and lack of conformity. As Susan Benson writes,“…central to a lot of contemporary tattoo and piercing talk is the idea of . of the tattoo…as a ‘declaration of me-ness” (2000, 245).

VEN

Feminism and Fashion,basis for the criticisms of female fashion in the 1970s and ‘80s by feminist theorists such as Una Stannard (1971), Nancy Baker (1984), Susan Brownmiller (1984), Robin Lakoff and Raquel Scherr (1984), and Rita Freedman (1986).

CHART

,Body Art and Men’s Fashion,r than relying on standardized “flash” motifs, today’s tattoo wearers are more likely to choose customized designs as a way of signaling their “uniqueness” and lack of conformity. As Susan Benson writes,“…central to a lot of contemporary tattoo and piercing talk is the idea of . of the tattoo…as a ‘declaration of me-ness” (2000, 245).