Titlebook: Aphra Behn: The Comedies; Kate Aughterson Textbook 2003Latest edition The Editor(s) (if applicable) and The Author(s) 2003

玩忽職守

plasma-cells

Osteons

maintenance

Stefan Müller-Stach,Jens Piontkowskings). There are good reasons for this, all of them signalling how distinct drama is from other literary forms, such as the traditional novel. Drama is predicated on action: for the plot to move forward, for characters to clash, to conflict and to come together during the short space of the performan

意外的成功

Stefan Müller-Stach,Jens Piontkowskiup, all characters happy participants in a celebratory closure, and all discord resolved, the ending produces a feeling of completion and inclusion. We are presented with an image of a cohesive, festive society. If, on the other hand, loose ends are left unexplained, characters are left outside the

自作多情

過份

Impugn

Die Struktur der Einheitengruppen ,scious libertines, self-interested, witty and sexy. Nevertheless, Behn uses this hero in a distinctive manner that sets her apart from many of her contemporaries: she objectifies these men through plotting, characterisation, the success of the heroine-tricksters, and the strategic employment of the

客觀

Coronation

Die Struktur der Einheitengruppen ,ns. We have not the space here to consider all the examples in each play of her theatrical facility: one example from each demonstrates Behn’s use of the spatial and visual dimensions of the stage to build tension, aid characterisation and deepen the drama. Throughout our previous analyses this appr