Titlebook: Drama. Band 1: Antike Dramentheorie und ihre Rezeption.; Drama. Beitr?ge zum Bernhard Zimmermann Book 1992Latest edition Springer-Verlag B

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978-3-476-45022-7Springer-Verlag Berlin Heidelberg 1992

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Vincent Okwudiba Anyika,Kelechi Johnmary Aniof ‘Athenian’ attitudes, we are bringing together under a single rubric the ordinary member of the audience, the connoisseurs of poetry, the established conventional standpoint of comedy, the views of Aristophanes himself as an individual, and possibly also an intellectual treatment of tragedy which

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https://doi.org/10.1007/978-3-030-71792-6an artform. Tragedy, and so far as we can see satyr-play also, rigidly maintained the convention that the characters must speak and act only within the fictive situation; and in the fictive situation, belonging as it normally did to the remote heroic age, there was no such thing as drama on which to

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Political Parties Over 25 Years? jede ein ganzes Gedicht spielt und nachher nicht wiederkommt, uns etwa aufs neue mit ihren Angelegenheiten beschwerlich zu fallen. In einem jeden guten Gedichte mu? die ganze Poesie stecken, dieses aber ist ein Flügelmann“. Mit diesen Worten beschreibt Johann Wolfgang von Goethe in einem Brief vom

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News Values and Frames of Electionsive interest has been regularly punctuated by antagonism, censorship and even suppression — so much so, that it is possible to trace the recurrent patterns of what one writer has called an ‘a(chǎn)nti-theatrical prejudice’, running as a kind of clashing accompaniment to the development of drama itself.. O

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Political Parties Over 25 Yearsollision of two cultures as Roman drama did, the need for theoretical explanations and justifications of practice becomes suddenly pressing. The later work of Horace and its enormous influence on the later European tradition. have largely obscured the important discussions about drama which clearly

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