Titlebook: Anti-War Theatre After Brecht; Dialectical Aestheti Lara Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Bertolt Bre

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,Performing the ‘War on Terror’,The performative strategies of 1960s-style peaceful protest proved ineffectual models for the twenty-first century. The failure of these protests prompts the question: what is the relationship between politics and performance today?

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,Tony Kushner’s , and ,, flamboyant and playful as well as politically engaged and instructive. The Brechtian imperative that learning should be enjoyable is realized in Kushner’s merging of complex political and philosophical ideas with the glamour and ironic humour of a drag performance.

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,Elfriede Jelinek’s ,,obel Prize in Literature for what the committee described as: ‘her musical flow of voices and counter-voices in novels and plays that with extraordinary linguistic zeal reveal the absurdity of society’s clichés and their subjugating power’.

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Conclusion,s to the theatre provides a model for future generations to critique the hidden ideologies that perpetuate the social, economic, political and humanitarian injustices and violences of a post-Brechtian age.

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Book 2016 respond to the post-9/11 military operations in Afghanistan, Iraq and Palestine. The plays are written by some of the most significant writers of this century and the last including Elfriede Jelinek, Caryl Churchill, .Hélène Cixous. and Tony Kushner...Anti-war Theatre After Brecht. grapples with th

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