Titlebook: Animals and Science Fiction ; Nora Castle,Giulia Champion Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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書目名稱Animals and Science Fiction 網(wǎng)絡(luò)公開度學(xué)科排名




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Terminal

gregarious

Yannis Katsoulakos,Nicholas Tsounis be pivotal in changing attitudes and understandings in the real world. We situate the volume within the context not only of work on animals in sf, but also as part of a nexus of work on ecocriticism, posthumanism, biopolitics, and other related fields. We conclude by providing a roadmap of the sections and chapters that follow.

deriver

Hans Krause Hansen,Kirsten Appendiniwithin the text—firstly, the encounter between a swordfish and an oil pipeline, and secondly, between an alien spaceship and a coral reef—to analyze how Okorafor uses oceanic imaginaries to blur boundaries between the animal and their environment, whereby multispecies “proximity” and symbiosis become methods for Nigerian futurity.

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褲子

Africanfuturist Assemblages of the Undersea in Nnedi Okorafor’s within the text—firstly, the encounter between a swordfish and an oil pipeline, and secondly, between an alien spaceship and a coral reef—to analyze how Okorafor uses oceanic imaginaries to blur boundaries between the animal and their environment, whereby multispecies “proximity” and symbiosis become methods for Nigerian futurity.

聰明

Thrombolysis

Kernel

indicate

“Muzzle for the Queen”: Settler–Nonhuman Entanglements in Australian Speculative Ecofiction20) and Robbie Arnott’s . (2018) represent a shift in the way Australian settler-colonial authors are considering the nonhuman in their work. I also discuss how such works partly uphold problematic notions regarding the animal and settler-colonial belonging in Australia, particularly in their obscuration of Indigenous sovereignty.