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Titlebook: Animal Horror Cinema; Genre, History and C Katarina Gregersdotter,Johan H?glund,Nicklas H?llé Book 2015 The Editor(s) (if applicable) and T

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31#
發(fā)表于 2025-3-26 21:43:26 | 只看該作者
32#
發(fā)表于 2025-3-27 03:19:01 | 只看該作者
https://doi.org/10.1007/978-981-19-7888-3about ecocide, apocalypse and extinction. In her highly influential book . (1962), Rachel Carson warned that agriculturalists using synthetic pesticides such as DDT were spreading ‘elixirs of death’ across the country (p. 15). As she explained, these chemicals washed into riversheds and entered food
33#
發(fā)表于 2025-3-27 06:01:28 | 只看該作者
https://doi.org/10.1007/978-981-19-7888-3’s flora and fauna. The outback, the bush, subtropical rainforests, rivers and turbulent oceans have brought about both critically acclaimed and lesser-known horror films featuring a variety of Australian animals. These films usually revolve around groups of tourists seeking to explore the ‘precario
34#
發(fā)表于 2025-3-27 11:25:36 | 只看該作者
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發(fā)表于 2025-3-27 17:39:01 | 只看該作者
https://doi.org/10.1007/978-3-662-47366-5me in Chicago, the family’s patriarch flushes his daughter’s pet reptile — now named ‘Ramon’ — away into the sewer system, only for it to grow into a monster and break out on to the city’s streets twelve years later. Its encounters with humans — principally those who are jointly responsible for its
36#
發(fā)表于 2025-3-27 20:21:56 | 只看該作者
https://doi.org/10.1007/978-3-662-47366-5he owner is nowhere to be found and she feels responsible for the animal’s injury, she takes him home after a visit to the vet. They quickly bond during his recovery, and Julie’s boyfriend Roland (Jameson Parker) even suggests she should keep him as a ‘bodyguard’ since she lives alone out in the hil
37#
發(fā)表于 2025-3-27 22:03:42 | 只看該作者
38#
發(fā)表于 2025-3-28 05:30:41 | 只看該作者
https://doi.org/10.1007/978-3-662-47366-5ities and animalistic sides, for ‘the human face is, after all, nothing more nor less than a mask’ (1940, p. 43). In Gordon Chan’s film . (2008), a celluloid adaptation of Pu Songling’s ‘Painted Skin’ (1740, trans. Minford, 2006), the theme of masking is literalized in the ‘painted skin’ when animal
39#
發(fā)表于 2025-3-28 08:41:56 | 只看該作者
40#
發(fā)表于 2025-3-28 12:53:40 | 只看該作者
Ecological Modeling for Resource Managemental animal has all but disappeared from human life in modernity, Berger points out. Numerous species that used to be close to us humans, including animals that are still bred for their meat and hide, have been Largely removed from the lives of the vast majority of the population of the Western world.
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