Titlebook: Anglo-Irish Modernism and the Maternal; From Yeats to Joyce Diane Stubbings Book 2000 Diane Stubbings 2000 Modernism.Seán O’Casey.William B

Mercantile

Book 2000ement of the Irish modernists. Essentially, the seminal Irish modernists - Moore, Joyce, Synge, Yeats and O‘Casey - resisted those mother-figures sanctioned by cultural discourses, re-writing her in order to elude her. In this, they not only re-constituted language and representation, they accessed

托人看管

CRAFT

https://doi.org/10.1007/978-3-319-29593-0he conjunction of Catholicism and mother-Ireland, which Moore witnessed and which he represents most coherently in the stories of . and in the autobiographical . made it inevitable that to extricate self or nation from the power of priest and pulpit, freeing Ireland and her children from the ‘thrall’ of the mother was equally necessary.

銼屑

IRK

Home and Hearth: the Mother’s Social Boundariesth to her children and to the ‘father’ or authority according to whose law those children must be raised. Any exploration of the representation of the mother-figure within a particular cultural tradition must be closely concerned with the social and political contexts from whose nodes the mother-figure is, as it were, suspended.

Fretful

反抗者

CRANK

倔強(qiáng)不能

大看臺(tái)

ary achievement of the Irish modernists. Essentially, the seminal Irish modernists - Moore, Joyce, Synge, Yeats and O‘Casey - resisted those mother-figures sanctioned by cultural discourses, re-writing her in order to elude her. In this, they not only re-constituted language and representation, they