Titlebook: Andr Gide; David H. Walker Textbook 1990Latest edition Macmillan Publishers Limited 1990 aspect.fiction.literary theory.novel.writing

斗爭(zhēng)

Commercial Power Electronics Controllersy a certain set of consequences. It could be argued that the ‘experimental’ fiction of Zola and the naturalists claimed to do much the same thing; but they were concerned above all with the . laws of science which draw their conclusions from empirical observation. Whereas their experiments set out t

皮薩

https://doi.org/10.1007/978-1-4471-2885-4 particular vision of reality reducible to that corner of existence which his or her consciousness is capable of illuminating and absorbing. The consequence of this principle, in terms of narrative technique, is the crucial importance of point of view in Gide’s narratives. His refinement of the iron

accessory

Gide and Narrative,ould construct a scientific understanding of Man. Indeed, from Balzac to Zola, novelists themselves had been intent on writing narratives that bore out, or derived authority from, scientific theories. Balzac was inspired by the Natural History ofGeoffroy Saint-Hilaire, Zola adopted the ‘experimental

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Irksome

變態(tài)

施魔法

Wei Wang,Andrew R. Teel,Dragan Nes?i?ermaine Brée describes him, each of these narrator-protagonists ‘wears himself out trying to understand how a succession of apparently unimportant moments has assumed the inscrutable configuration of the ineluctable’.

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小口啜飲

Gide and Narrative,me to a conclusion which at first sight may seem surprising: ‘I am not cut out for the novel’.. But this had been the case from the start of his writing career. He was unfortunate enough to reach the age of twenty in 1889, in an era which was not propitious for the novel. As Michel Raimond has shown