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Titlebook: André Bazin, the Critic as Thinker; American Cinema from R. J. Cardullo Book 2017 SensePublishers-Rotterdam, The Netherlands 2017 André Baz

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發(fā)表于 2025-3-21 17:42:35 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱André Bazin, the Critic as Thinker
期刊簡(jiǎn)稱American Cinema from
影響因子2023R. J. Cardullo
視頻videohttp://file.papertrans.cn/158/157100/157100.mp4
發(fā)行地址André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema.A
圖書(shū)封面Titlebook: André Bazin, the Critic as Thinker; American Cinema from R. J. Cardullo Book 2017 SensePublishers-Rotterdam, The Netherlands 2017 André Baz
影響因子"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Fran?ois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style..André Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim,and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan’s Travels..André Bazin, the Critic as Thinker: American Cinema fr
Pindex Book 2017
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發(fā)表于 2025-3-21 21:55:43 | 只看該作者
me, much if not all of Bazin’s writings on American cinema.A"André Bazin (1918–58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage we
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Dynamics and Control of Industrial Cranes make it the subject of severe criticism. In the event, the film had a short run. The same people who had fought to get to see it during the first days of its run booed those sections from which they thought the most interesting scenes had been cut. They felt robbed. Reviewers for the most part adop
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發(fā)表于 2025-3-23 00:05:08 | 只看該作者
https://doi.org/10.1007/978-94-6300-878-5André Bazin; American cinema; film criticism; auteur theory; French culture
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發(fā)表于 2025-3-23 08:50:38 | 只看該作者
R. J. CardulloAndré Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin’s writings on American cinema.A
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