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Titlebook: And Yet It Is Heard; Musical, Multilingua Tito M. Tonietti Book 2014 Springer Basel 2014 History of Mathematics.Linguistics.Musical History

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樓主: 愚蠢地活
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發(fā)表于 2025-3-23 11:26:55 | 只看該作者
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發(fā)表于 2025-3-23 13:51:11 | 只看該作者
Book 2014the various dominant languages used in the different historical contexts. In this volume, the history of the development of the sciences is told as it happened in real contexts, not in an alienated ideal world.
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發(fā)表于 2025-3-23 21:36:55 | 只看該作者
Introduction to Volume II,nto the trap of overused commonplaces, which are unfortunately particularly widespread in many environments. When natural philosophers left the highroad of calculations with ratios as a means to solve their problems, to break out of the rigid framework of the classical ., did they forget music, or n
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發(fā)表于 2025-3-24 03:06:56 | 只看該作者
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發(fā)表于 2025-3-24 08:18:57 | 只看該作者
Between Latin and Frenchus être connu sans le secours des Mathematiques.” [“Music is a science which must have certain rules; these rules must be derived from a clear principle, and we cannot have a knowledge of this principle without the help of mathematics.”] This was written in the Preface to his .., not by one of our u
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發(fā)表于 2025-3-24 11:49:27 | 只看該作者
From French to GermanHowever, we will overlook the details of how much he felt himself, at least at the beginning, closer to Euler than to d’Alembert or to Daniel Bernoulli, as is well known. Among other things, our mathematician from Turin believed in the possibility that mathematics could illuminate physics; indeed, i
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發(fā)表于 2025-3-24 15:33:41 | 只看該作者
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發(fā)表于 2025-3-24 20:42:37 | 只看該作者
https://doi.org/10.1007/978-90-481-2500-5nto the trap of overused commonplaces, which are unfortunately particularly widespread in many environments. When natural philosophers left the highroad of calculations with ratios as a means to solve their problems, to break out of the rigid framework of the classical ., did they forget music, or n
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發(fā)表于 2025-3-25 01:16:30 | 只看該作者
Planning for Drought: A Methodologythem to represent orthodoxy in that period. Now the discussion about the division of the tone assumed the characteristics of controversies between continuous or discrete conceptions of the world, becoming its musical representation. We have followed these in their manifold variations, found in the c
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