Titlebook: Word Art + Gesture Art = Tone Art; The Relationship Bet Hanns-Werner Heister,Hanjo Polk,Bernhard Rusam Book 2023 The Editor(s) (if applicab

Adherent

Normative, Descriptive, Suggestive—The Word in Scriabin’s Instrumental Musice abstract and the other significant. But for centuries, the word has been an integral part of notated music, not only for vocal, but also for instrumental works. Almost all musical works bear verbal titles, which are sometimes genre names (such as Suite, Sonata, Valse), but often individual inventi

富饒

背心

不溶解

Hans Werner Henze’s Concept of ,. On the Historical Significance of Music for Social Progressnts from psychological, social and political reality is particularly evident in his music theatre works, but not only. The complexity of reality is also reflected in his concert music. The means of his . are manifold, they embrace sounds, rhythms. Instruments, musical motives from each genre and fro

閹割

Singing, Playing and Performing in Popular Music in the Age of Liquid Modernityn a field which is referred to as popular music. The theoretical framing of the present discourse represents postmodernism, especially the work by Zygmunt Bauman and his thesis about the liquid society as a metaphor for the social conditions of beginning of the third millennium, Jean-Fran?ois Lyotar

Extricate

預(yù)防注射

內(nèi)部

Book 2023ay communication alike. Presenting an in-depth systematical and historical analysis of the evolution of word and gesture art, it gives extensive information on the anthropological, biological, and physiological influences and interactions in music and beyond. The book gives a unique definition of th

acrophobia

Hiatus

Love, Death, and Rhetoric. Meaningful Textual-Musical and Vocal-Instrumental Relationships in Giusepudy reveals much semantic complexity in the way in which text and music—and voices and instruments—interact in order to complement, underline, deepen, nuance, anticipate, and even contradict each other, according to what seems a carefully planned design by Verdi.