Titlebook: An Old Melody in a New Song; Aesthetics and the A Luca Tateo Book 2018 Springer International Publishing AG, part of Springer Nature 2018 A

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Gradual Development of a Dynamic Modelions of past, present and future (possible) phenomena) and conceptual understanding. In participatory aesthetics, imagination supports agency by imagining a possibility field and conceptual understanding reveals itself to be an instance of fictionalisation, cognitively framing perception and action.

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Introduction: The Art of Psychology,e deepest abysses of terror and abjection (Tateo, 2017a, 2018). The word “aesthetic” has the narrow meaning of a pleasant experience of beauty, pleasure of contemplation, or a mode of artistic consumption peculiar to contemporary societies. In this volume, the term “aesthetic” means a form of human

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Psychology in Emerging Aesthetics,or the study of sensual perception in general. This perspective changed, however, just one generation later, when aesthetics was defined in the narrower sense of a theory of beauty and the fine arts. Kant opposed the application of the term “aesthetics” to a critique of taste and suggested giving up

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Between Sublimity and Pleasantness: About Aesthetical Distribution in Music and Psychology,ly, the struggle for one’s voice to be heard and recognized as the voice of a legitimate partner” (Slavo Zizek, “The Lesson of Rancière”, p. 69 ff.). This statement formulates in many ways the core of the aesthetic question when irrationality is mixed up with rationality, enjoyment with shock, and a