Titlebook: An Introduction to the Language of Literature; N. F. Blake Textbook 1990Latest edition Macmillan Publishers Limited 1990 cohesion.English

類型

https://doi.org/10.1007/978-3-322-99759-3m which meaning springs. Writers themselves often present their composition as a struggle with words. Words are not, however, quite so easy to deal with as syntax because each word has a particular history and each has to be taken on its own terms. Nevertheless, it is possible to offer some general

jaunty

Theorie und Praxis der Diskursforschungt the way in which authors could adapt the norms to suit their own expressive ends was illuminated. The discussion was inevitably somewhat formal and grammatical and treated each unit within a sentence independently and without regard to other units within the same sentence. The next step is to inve

集中營

蚊子

Literatur- und Quellenverzeichnis, coherent sequence of meaning within a text. Cohesion is a more visible means of providing the same way of linking utterances together so that they can be seen to belong to a single text. One needs only quote a straightforward example to make this clear. Consider the following two sentences:

大酒杯

細(xì)頸瓶

https://doi.org/10.1007/978-1-349-21101-2cohesion; English literature; literature; Orient; pragmatics; sound; structure; style; literary diction

guzzle

正常

Introduction,position for differing purposes were produced, and these usually contained long lists of figures and how they were best deployed. The idea of rhetoric is intimately related to the concept of the poet as a ‘maker’, as someone who can learn his or her art through study and application in much the same

光滑

Sounds and Patterns,he letter . or by . in the neighbourhood of front vowels is widely believed to be soft and to conjure up images of gentleness and sweetness. Hence the word . itself might be selected by an author precisely because she believes its initial /s/ creates the necessary sound effect for the meaning which

門窗的側(cè)柱

Pragmatics and Literary Texts, do not combine together to produce a statement which makes any sense to most English people. Equally it is possible to have two sentences which are juxtaposed which individually may be meaningful, but which together appear not to be. For example, the two sentences ‘He went shopping in Sainsbury’s e