Titlebook: An Introduction to Eighteenth-Century Fiction; Raising the Novel John Skinner Textbook 2001Latest edition The Editor(s) (if applicable) and

Hallowed

perpetual

Critics and Theoristsretations are still found recycled today, although few now remember her overall thesis.. In the second group, Nancy Armstrong’s more recent . has a well-articulated thesis for her ‘political history of the novel’, although it hardly refers to any actual eighteenth-century fiction beyond the first part of ...

pulmonary

https://doi.org/10.1007/978-3-642-47608-2sumption of male authorship for that kind of writing; but an anonymous novel, as literary history repeatedly shows, would again prove a greater challenge. Such issues of genre and gender, admittedly framed rather simplistically here, are the overall subject of the present chapter.

種植,培養(yǎng)

Methodisches Vorgehen und Forschungsdesign,re inches of ivory’, or the ‘two or three families in a country village’) record Austen’s own self-deprecating assessment of her range. The novelist’s first — and for long her only — substantial critic, Sir Walter Scott, noted in his journal another comment that has become famous:

Pandemic

Genre and Gendersumption of male authorship for that kind of writing; but an anonymous novel, as literary history repeatedly shows, would again prove a greater challenge. Such issues of genre and gender, admittedly framed rather simplistically here, are the overall subject of the present chapter.

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繁重

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引起痛苦

https://doi.org/10.1007/978-0-230-62946-2British novel; Defoe; fiction; Jane Austen; novel

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The Editor(s) (if applicable) and The Author(s) 2001