Titlebook: Amputation in Literature and Film; Artificial Limbs, P Erik Grayson,Maren Scheurer Book 2021 The Editor(s) (if applicable) and The Author(

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吹氣

NIL

Hallmark

Mets552

“She Had Wept So Long and So Much on the Stumps”: Amputation and Embodiment in “The Girl Without Hannto womanhood. Drawing upon theories of feminine abjection coined by Julia Kristeva and developed by Barbara Creed, the chapter argues that the loss of the protagonist’s hands also evokes and serves as a vehicle to negotiate a number of culturally potent anxieties about female identity and agency.

和平

in Novel and Film: Grieving with the Vengeful Amputeexamining how alterations in narrative structure and other formal changes (written to visual, chapter breaks to editing, etc.) invoke alternative audience engagement resulting in an empathic relationship with a complex protagonist unable to reconcile his grief, thereby unsettling simplistic ideas about audience relationships to onscreen disability.

Callus

“The Blunt Remnant of Something Whole”: Living Stumps and Prosthetic Relations in Thomas Bernhard’s ity, they allow for a reflection on and a transformation of these response patterns. In addition, the novels make room for a vision of social relations as enabling, drawing out new narratives about amputation involving love, mourning, and interdependence.

性學(xué)院

泛濫

細(xì)查

Book 2021nd forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.