Titlebook: American–Australian Cinema; Transnational Connec Adrian Danks,Stephen Gaunson,Peter C. Kunze Book 2018 The Editor(s) (if applicable) and Th

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American Cartel: Block Bookings and the Paramount Plane silent period of 1909–1927, this chapter discusses a number of significant shifts in film exhibition that transformed Australian cinema from an independent and self-sufficient industry into a local Hollywood.

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The Multiplex Eraut constantly changing relationships between Australian and US exhibition and distribution interests. Finally, the chapter surveys the places the films come from, the similarities and differences between the most successful ones in Australia and the US, and the changing demography of cinema audiences.

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Book 2018ssions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition a