Titlebook: American Studies after Postmodernism; Theodora Tsimpouki,Konstantinos Blatanis,Angeliki Book 2024 The Editor(s) (if applicable) and The A

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978-3-031-41450-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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American Studies after Postmodernism978-3-031-41448-0Series ISSN 2524-8332 Series E-ISSN 2524-8340

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Theodora Tsimpouki,Konstantinos Blatanis,Angeliki This book explores what the debated demise of postmodernism signifies for American Studies.This collection of essays comprises a vigorous discussion of American literature, art, culture, history, and

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Renewing the American Narrativehttp://image.papertrans.cn/a/image/154597.jpg

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Aktuelle Beitr?ge zum ?ffentlichen Rechtntributions it hosts. Attention is first devoted to the multiple dimensions of the critical debate on the demise of postmodernism that persists from the early 1990s to the present 2020s. The essay reviews the most prominent critical and theoretical paradigms of the present moment that aspire to resp

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Concomitant

Die Grenzg?nge des Johann Sebastian Bachlly did not want, as a candidate, president, and ex-president eager to maintain his huge political influence. The GOP’s determination to realign U.S. party politics in its own favour together with the emergence of powerful new media channels that Trump mastered helped create the opportunity for a ne

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Die Grenzg?nge des Johann Sebastian Bachmed distant or separate but gradually became one with what was understood as America, this paper tries to find answers to the question of what was so shocking (especially for Europeans) in the recent photos from the invasion of Donald Trump’s supporters in the Capitol. This despite the fact that pho

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https://doi.org/10.1007/978-3-322-93256-3 public sphere. It suggests that understanding the humanistic dimensions of climate change involves looking at intersections between climate change and the arts, literature, religion, philosophy, and ethics/justice. To this end, three artistic examples—avant-garde musician John Cage, performance art