Titlebook: American Science Fiction Television and Space; Productions and (Re) Joel Hawkes,Alexander Christie,Tom Nienhuis Book 2023 The Editor(s) (if

星球的光亮度

https://doi.org/10.1007/978-3-322-99078-5ie trilogy (PT), and over a century after the original movie trilogy (OT). The latter in particular concerned EU fans in the aftermath of the Disney purchase. After all, the novels and comics set after 1983’s . had introduced such elements as the Rebel Alliance’s transformation into a New Republic,

harrow

https://doi.org/10.1007/978-3-322-99078-5ity, a process of constant change. In ., Marshall Berman invites us to “think of modernism as a struggle to make ourselves at home in a constantly changing world” (1988, 6). The Churn is then the “maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and angu

SYN

Immortal

countenance

下船

污穢

Occupied Space: The Contested Habitation of Terok Nor/Deep Space Nineby reading it against the theories of state space articulated by the influential Marxist philosopher Henri Lefebvre. Lefebvre writes extensively on how state power demarcates, constructs, and constrains the spaces people inhabit; he counters the practices he observes with a liberatory concept of soc

visual-cortex

ineluctable

“Heaven is a Place on Earth”?: Configuring the Horizon of Queer Utopia in ,’s “San Junipero” this timeless simulated beach town, inhabitants can choose to experience the space in any past year—moving between the early to late 1980s, the 1990s, and the 2000s—enjoying the music and aesthetics of each period and a steady stream of parties in what is described as “immersive nostalgia therapy”

Oscillate

SVOD: A Place for (Outer) Space?ing service.” After the closure of Legendary Digital’s Alpha in March 2019, the pay-TV channel SyFy remains the (obviously) most prominent “space for SF” on television—and even it could not justify keeping . on its line-up. At the time of acquiring ., Amazon Prime Video had already produced two orig