Titlebook: American Science Fiction Television and Space; Productions and (Re) Joel Hawkes,Alexander Christie,Tom Nienhuis Book 2023 The Editor(s) (if

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GORGE

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Institution

https://doi.org/10.1007/978-3-031-10528-9science fiction; television; space; heterotopia; production of space

Horizon

978-3-031-10530-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

Immobilize

https://doi.org/10.1007/978-3-322-98795-2In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.

Rheumatologist

Disembodied Spaces and Cyborg Utopias in In a moment that would surely cement the cult status of . (1984), the titular hero is asked, “Why is there a watermelon there?” He replies, “I’ll tell you later.” The answer, however, is never given.

impale

GROWL

,Klinisches Bild der akuten Gonorrh?e, .. What makes it stand out from other popular conlangs like Klingon or Dothraki is that, rather than attempting to sound “exotic,” with a totally invented vocabulary and unfamiliar grammar, Belter Creole strives to sound like real languages that have undergone normal language-change processes (Colb

變異

Rudolf T. Schmidt,Karlheinz Hülserng corpses while contemplating human life of the past. Long before they start referring to the human hubris that led to environmental crisis and the extinction of civilization, one of them says in disappointment, “You’ve seen one post-apocalyptic city, you’ve seen them all!” Whatever the cause of th

Commentary

https://doi.org/10.1007/978-3-663-00224-6ssible futures where new technologies challenge, hurt and destroy, “San Junipero” appears optimistic, a joyful SF text that explores a technology-enabled utopia. The episode imagines a computer-simulated world, or virtual reality (VR), where old and dying people can spend time as avatars of their yo