Titlebook: American Political Poetry in the 21st Century; Michael Dowdy Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 21st cen

Invigorate

reject

謙卑

Introduction: Political Poetry in the United States,poets and hip-hop artists. transmit, impart, and create political potency in their work without losing the magic and dynamism that is usually the province of poetry but less often of politics. I begin, then, with two epigraphs, one by a rapper and one by a poet who made the United States home for mo

神經(jīng)

Embodied Agency,ructures, Peruvian economist Hernando de Soto explains a legal theory that responds to the ways that people organize their lives outside of the law. He writes, “It is ‘experience’ that gives life to the law demonstrating… that the law must be compatible with how people actually arrange their lives.

字的誤用

COM

Integrate

champaign

逢迎春日

Introduction: Political Poetry in the United States,ction in its own right that persists and retains a power and mystery with which the powerful “would never want to tamper.” For KRS-One (Kris Parker), the rapper for the influential Bronx-based Boogie Down Productions and one of the culture’s most respected innovators and political voices, hip-hop ar

Implicit

Embodied Agency,e “gives life” to poetry. Poetry, moreover, “must be compatible with how people actually arrange their lives.” Most dramatically, poetry “stays alive” by “keeping in touch” with the dynamic, confusing, and sometimes horrifying ways that “real people on the ground” experience the world. Poetry, for t