Titlebook: American Poetry: The Modernist Ideal; Clive Bloom,Brian Docherty Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited

事與愿違

Feigned

ONYM

Kenneth Rexroth,Second World War he was already well known on the West Coast as a discerning critic, an essayist who covered an encyclopedic range of subjects, an accomplished painter, and a long-time political activist; and, throughout the later part of his life, for his translations from French, Swedish, Greek, L

Urgency

Marianne Moore,eminine’ within quotations? What are the constant reminders which define the poetry as written by a woman? Eliot’s avuncular appreciation subverts and trivialises ‘feminine’ -female — poetry while marking its difference. The distinctions Eliot finds, the ‘particularity’ — one almost reads ‘peculiari

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Sigmoidoscopy

minimal

,Frank O’Hara, in some totalitarian control of surface — by dogma of some kind that brandishes itself as impersonal, all artifice, resistant to inventive art and social change: that is Frank O’Hara’s programme. How to say ‘I’, or to display ‘I’, without imposition, to resist that common dullness in poetry insiste

Legend

Lethargic

Allen Ginsberg,Ch?gyam Trungpa Rinpoche. As the half-title page of his . notes, he is a ‘Member of the American Institute of Arts and Letters and co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute’. and he describes himself gleefully in an interview with Jim Burns as ‘a(chǎn) most respe

tenosynovitis

Edward Dorn, given in the OED; ‘subject or liable to an action at law’. The first use is early: interviewed by David Ossman in February 1961, around the time of publication of his first book ., Dorn was quick to turn the conversation away from the then-fashionable debates about ‘the line’ and its relationship t