Titlebook: American Modernist Poetry and the Chinese Encounter; Zhang Yuejun,Stuart Christie Book 2012 The Editor(s) (if applicable) and The Author(s

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Introductionthe rapidly developing landscape for the scholarship and study of American poetry as the Chinese tertiary education sector advances. At a time of perceived decline in marketability—and funding—for literary study in the West, the popular appreciation of American modern and contemporary poetry by Chin

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“Between Walls”: So Much Depends on Chinese Immigrant Poetry in Defining the Modernist Agender the extreme conditions of detention and imprisonment upon arrival in the United States. The Chinese detainees lived in constant fear of deportation, waiting to face their interrogators, only to endure repeated questioning and eventual judgment, and despaired of their fate.

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組成

Usurious Translation: From Chinese Character to Western Ideology in Pound’s Confucian “Terminology”r) out of their poetic rearrangement. Such a radical liberation of Chinese signs from their everyday phonetic context not only produces an inaccurate translation but also creates a literary text—a poem—that subordinates properties of the Chinese language to the ideological properties Pound would mak

沒有希望

Grievance of the Gendered Self: Chinese , Elements in Carolyn Kizer’s Poemsthe poetic compound. For the sake of accuracy, then, Chinese . poetry emphasizes the psychological state of a persona experiencing both a physical and a metaphorical segregation. The salient impulse driving . poetry is melancholy, which is achieved by employing grief as the dominant poetic theme.