Titlebook: American Literature and Social Change; William Dean Howells Michael Spindler Book 1983 Michael Spindler 1983 America.American literature.Ar

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https://doi.org/10.1007/978-3-663-09710-5) are romantic in conception and form and concern themselves with man and nature on the frontier, that is to say, on the periphery of normal social life. Herman Melville’s . (1851) is an epic romance whose heroes are those we would expect of mid-nineteenth-century America — the hunters, exploiters a

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https://doi.org/10.1007/978-3-663-09710-5ded writers with compelling literary subject-matter. The spectacle of the entrepreneurs’ rise to wealth and power attracted William Dean Howells, whose . (1885) was the first serious fictional study of this type, as well as Frank Norris and Theodore Dreiser. The ideological perspectives and literary

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https://doi.org/10.1007/978-3-7091-9854-4course, unique to the United States. They paralleled in direction and effect those which had taken place in England some fifty years earlier. Both historical movements were marked by the supersession of small-scale production by large-scale manufacture, the rapid decline of the independent producer,

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Hydrothermale Gangerzlagerst?ttenlow ‘a(chǎn)lmost any point of view of itself’. Its rare quality of multifaceted massiveness has fathered a large number of critical studies which all acknowledge Clyde Griffiths’s representative stature but make only vague gestures towards its origins. This imprecision is due to an individualist emphasis

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An den Schalenbau gebundene Lagerst?ttenhort preface to . (1920). ‘.’, he begins sweepingly, and claims that Gopher Prairie’s Main Street is ‘.’. And in the novel he attributes to his protagonist, Carol Kennicott, a representativeness that is both regional — as ‘the spirit of that bewildered empire called the American Middlewest’ — and br

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Hydrothermale Gangerzlagerst?ttenn to history. In 1928 he wrote that he regarded the novelist as ‘a(chǎn) sort of second-class historian of the age he lives in’, and in 1935 he told the American Writers’ Congress, ‘American writers who want to do the most valuable kind of work will find themselves trying to discover the deep currents of