Titlebook: American Horror Fiction and Class; From Poe to Twilight David Simmons Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Horror

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American Horror Fiction and Class978-1-137-53280-0Series ISSN 2634-6214 Series E-ISSN 2634-6222

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Alan L. Sillars,Pam J. Kalbfleschelopment of the Gothic in the shape of Weird Fiction and the pulp magazines that originally published such material. The chapter argues that the work carried out by a host of often culturally derided pulp and popular writers, exemplified by H.P. Lovecraft, was defined by the issue of class. Class wa

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https://doi.org/10.2991/978-94-6239-160-4arted to close. What resulted was an often conscious hybridisation of the genre that saw writers such as Ray Bradbury, Fritz Leiber, Shirley Jackson, and Robert Bloch look backwards to the urban Gothic work of the nineteenth century. However, this chapter argues that whereas older writers frequently

HPA533

perjury

Radomir S. Stankovi?,Du?an Gaji?ris, Poppy Z. Brite, Chuck Palahniuk and Bret Easton Ellis have developed and built upon established genre trends, it examines the use of the serial killer as a means of questioning class inequality; the self-conscious reengagement with the genre as ‘bad object’ in order to shock the status quo; and

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978-1-349-70944-1The Editor(s) (if applicable) and The Author(s) 2017

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