Titlebook: American Dramatists 1918–1945; Excluding O’Neill Bernard F. Dukore Textbook 1984Latest edition Bernard F. Dukore 1984 America.Arthur Miller

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https://doi.org/10.1007/978-3-663-01874-2m unproduced); four novels, three of which have been published; a book about the theatre; an indeterminate number of short stories, one-act plays, articles, book reviews, motion pictures, radio and television scripts; and the present volume.’

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George S. Kaufman and Moss Hart,cals produced on Broadway. Probably his most successful collaborator, the one with whom the public usually associates him, Moss Hart worked on eight. At least once, Kaufman called him his favourite collaborator.

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Maxwell Anderson,l’s . Broadway may not have been receptive to the salty phrases of Anderson’s and Laurence Stallings’ . (1924), much of which is comic. Without O’Neill’s efforts to create tragedy, Anderson’s vision of poetic tragedy, a contrast to O’Neill’s prose, might not have been realised on stage. Comedy and t

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Thornton Wilder,choose Thornton Wilder. Both in and outside the United States, his plays suggest archetypal America, which he celebrates as warm, innocent, religious, simple and simply nice. While they evoke small towns, Sunday schools and Independence Day picnics on the Fourth of July, the range of Wilder’s knowle