Titlebook: Alien-Invasion Films; Imperialism, Race an Mark E. Wildermuth Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive li

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,The First Postwar Security State Invasion Films, 1950–1956,ctively question the implicit imperialist stance of the United States as it took over Great Britain’s role, described by Keith Booker, as the main bearer of the “l(fā)egacy of colonialism,” making America’s Cold War rhetoric a “substitute for the language of colonialism” (8). Nevertheless, as the decade

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,Nixon, Post-détente, and Invasion Films in the 1970s,candal and its conclusion, and the growing presence of advanced communication technology in American life made for a complex mix of optimism and pessimism in the culture. Alien others in the world shortly before and after détente reflect the same byplay of monstrosity and positive recognition as in

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Invasion Films and the 1990s Interregnum,otes that as the Berlin wall was brought down journalist Charles Krauthammer had said nations like America need enemies “for purposes of self-identification and motivation” (206). Brands points to a similar mindset in Francis Fukuyama who had predicted an end of history at the time with the cessatio