Titlebook: Alien Audiences; Remembering and Eval Martin Barker,Kate Egan,Sarah Ralph Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 In

Ptsd429

Gifting the , Experience,ses, the chapter moves on to discuss the way in which familial relationships are informed by watching . together. It is argued that the experience of the film, rather than the text itself, is framed by families as a ‘gift’ – something to be savoured, treasured, and enjoyed

Arthritis

Remembering a First Encounter with ,itional life phase, causing it to remain with them (‘etched’ into their brains, as one participant explains it) in later life. Te findings of this chapter add a new complexity to Linda Williams’ provocative ideas on ‘body genres’

Minatory

Praktische Konsequenzen der HOPE-Studien and methodology of our project is outlined, including a consideration of the role of specifc kinds of cultural knowledge within this. A first summary of results is given, with particular attention to how our participants perceived and understood Ellen Ripley (Sigourney Weaver), and H. R. Giger’s alien.

使害怕

拱墻

https://doi.org/10.1007/978-3-663-09627-6itional life phase, causing it to remain with them (‘etched’ into their brains, as one participant explains it) in later life. Te findings of this chapter add a new complexity to Linda Williams’ provocative ideas on ‘body genres’

一夫一妻制

Der schwierige Umgang mit NS-Raubkunstceptions of maintenance. Te role of parents in introducing (ofen very young) children to the film is explored. Te role of parents, and the intensity of commitment to the film, is shown to decline and change over time, as . becomes more a component within general popular culture.

演講

有斑點(diǎn)

脫離

Considering the Chestburster-Choosers: Realism and Repeat Viewing,sustaining these committed participants’ afective engagement with the sequence, and the film as a whole. In the process, it considers how such findings might challenge or problematize claims that have been made about viewer engagement with ., and with horror and science-fiction films more generally, on repeat viewing.

不整齊

Praktische Konsequenzen der HOPE-Studiewhich Alien has become a point of reference and reuse within a wide range of kinds of popular culture. It also explores its highly unusual position within academic debates, and illustrates the role that claims and assumptions about ‘the audience’ play within these debates. Te rationale for the desig