Titlebook: Alchemy and Exemplary Poetry in Middle English Literature; Curtis Runstedler Book 2023 The Editor(s) (if applicable) and The Author(s), un

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書目名稱Alchemy and Exemplary Poetry in Middle English Literature影響因子(影響力)




書目名稱Alchemy and Exemplary Poetry in Middle English Literature影響因子(影響力)學科排名




書目名稱Alchemy and Exemplary Poetry in Middle English Literature網(wǎng)絡公開度




書目名稱Alchemy and Exemplary Poetry in Middle English Literature網(wǎng)絡公開度學科排名




書目名稱Alchemy and Exemplary Poetry in Middle English Literature被引頻次




書目名稱Alchemy and Exemplary Poetry in Middle English Literature被引頻次學科排名




書目名稱Alchemy and Exemplary Poetry in Middle English Literature年度引用




書目名稱Alchemy and Exemplary Poetry in Middle English Literature年度引用學科排名




書目名稱Alchemy and Exemplary Poetry in Middle English Literature讀者反饋




書目名稱Alchemy and Exemplary Poetry in Middle English Literature讀者反饋學科排名

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Statins

2945-5936 haucer in the fourteenth-century.Explores intersections of lThis book explores the different functions and metaphorical concepts of alchemy in fourteenth- and fifteenth-century Middle English poetry and bridges them together with the?.exempla.?tradition in late medieval English literature. Such poet

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柳樹；枯黃

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AUGER

,Alchemists Behaving Badly in Chaucer’s ,d his Yeoman) provides a metadramatic dimension to the reading of alchemy in the poem, revealing Chaucer’s subversiveness as a “moral” poet as well as presenting the possibilities of exemplarity through the Canon’s Yeoman’s confession, tale, and apparent redemption.

不要嚴酷

CAPE

https://doi.org/10.1007/978-3-8348-2171-3ter . effectively contextualizes the role of alchemy within fourteenth- and fifteenth-century England from a historical, philosophical, and literary perspective, as well as revealing its developments and theories into that period, all of which are crucial to understanding the alchemical literature d

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Thomas A. Runkler Prof. Dr.-Ing. exegesis be read as an exemplary narrative, but it also marks the beginning of alchemy being used within the . framework to challenge the ambiguities of its practice in vernacular English medieval literature. I further contend that, following R. F. Yeager’s definition of Gower’s “new .,” this alche