Titlebook: Alan Moore, Out from the Underground; Cartooning, Performa Maggie Gray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 comic

有斑點(diǎn)

2634-6370 ive approach to the study of Alan Moore‘s oeuvre.Challenges .This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in whi

Champion

惡臭

GROVE

peak-flow

Introduction,s often overlook the aesthetics and materiality of comics and the significance of visual style and facture. They elide the way that graphiation is embedded in specific contexts of production and presents particular ways of seeing, and therefore neglect the politics of form. This book instead looks a

Folklore

糾纏

The Play of the Press: Cartooning, Materiality, and the Underground in Print,transgressive design, and the importance of comics within that. It situates Moore’s work within the different strands of UK underground and new wave comix, tracing his development of a distinctive visual style that drew on the vulgar, lowbrow status of comics. It connects the playful self-referentia

climax

The Sound of the Underground: Comics, Music, and the Politics of Punk,e, and subsequently turned to punk and post-punk scenes. It tracks the emergence of a punk aesthetic in (fan)zines and comics, and its crossover with the underground. Looking at Moore’s own practice as a musician, it identifies how it has inflected the performative politics of his work in comics. Co

Phagocytes

flavonoids

9樓