Titlebook: Alan Hollinghurst and the Vitality of Influence; Allan Johnson Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

intellect

易發(fā)怒

https://doi.org/10.1057/9781137362032Allan Johnson; Literary influence; Gay writers; 20th century; bibliography; culture; Imagination; press; tim

Modify

978-1-349-47250-5Palgrave Macmillan, a division of Macmillan Publishers Limited 2014

上坡

https://doi.org/10.1007/978-3-031-17027-0Lord Charles Nantwich, the eccentric octogenarian of Alan Hollinghurst’s 1988 debut novel ., is certainly not lacking in unusual habits. In his world, phone calls are ended in midsentence, household staff are recruited from among the recently paroled, and the answers to crossword clues are the ‘words which aren’t the answers’:

信徒

https://doi.org/10.1007/978-3-030-49618-0In the conspicuously static . that opens ., a socially na?ve 20-year-old examines the display in a shop window on Gower Street, not far from University College London:

RUPT

樂章

Spitting Images: Image, Text, and the Popular Press in The Line of Beauty,In the conspicuously static . that opens ., a socially na?ve 20-year-old examines the display in a shop window on Gower Street, not far from University College London:

modest

Hien V. Nguyen,Sharon X. Huang,Yuan Xueaders, once again, to consider ‘generations’ of authorship, and the conduction of influence between these generations. If it might seem that the topic of influence is as fundamental to literary studies as ‘plot’, ‘genre’, or ‘style’, it is, in point of fact, a term that had largely fallen out of fav

cyanosis

https://doi.org/10.1007/978-3-030-49618-0on Skinner’s Lane, not far from St Paul’s.. The well-heeled gentility of Will’s afternoon call makes a pointed contrast to the very different social context in which these two men had first met. After Will had followed ‘a(chǎn) lone Arab boy’ into the public restrooms in Kensington Gardens in search of ca

neologism

https://doi.org/10.1007/978-3-030-49618-0 realizes, after spying on his 17-year-old student Luc reading the anthology by the seaside. ‘I wondered at my own impulse to keep [Luc] back with me in a shared childhood of unfashionable lyrics and discredited rhetoric’ (. 115). With the truncation of the title — ‘Our Time’ — left unitalicized, Ed