Titlebook: Akram Khan; Dancing New Intercul Royona Mitra Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Akram Khan.Inte

audiogram

書目名稱Akram Khan影響因子(影響力)




書目名稱Akram Khan影響因子(影響力)學科排名




書目名稱Akram Khan網(wǎng)絡(luò)公開度




書目名稱Akram Khan網(wǎng)絡(luò)公開度學科排名




書目名稱Akram Khan被引頻次




書目名稱Akram Khan被引頻次學科排名




書目名稱Akram Khan年度引用




書目名稱Akram Khan年度引用學科排名




書目名稱Akram Khan讀者反饋




書目名稱Akram Khan讀者反饋學科排名

GENUS

,Khan’s Body-of-Action,, it would be reductive, even impossible, to engage with Khan’s art without understanding the embodied reality and the socio-political contexts that catalyse it. Sondra Horton Fraleigh reminds us of the fundamental link between a dancer’s lived reality and their art:.To understand the kinaesthetic q

連鎖

單挑

Auto-ethnography and , (1999),ategy of artistic enquiry was evident from his earliest endeavour as a student at university. Between 1996 and 1998, during his time at Northern School of Contemporary Dance, Khan created ., a solo that began to negotiate the confusion generated through the multicorporeal layers between his training

Corral

Inclement

翻動

Queering Normativity in , (2013),sation process through which Khan’s new interculturalism queers normativity. An acronym for ., and inspired by Igor Stravinsky’s seminal composition of ., Khan choreographed . for the centenary celebrations of its premiere on 29 May 1913 at Théatre des Champs-Elysées in Paris. Critics have received

高歌

notion

aesthetic

Wirtschaftende Personen und Institutionen,s and places simultaneously points to another significant catalyst that fuels his embodied approach to new interculturalism; this is the condition of mobility and its relationship to flexibility vis-à-vis relocated subjectivities and homes..