Titlebook: Ageing, Popular Culture and Contemporary Feminism; Harleys and Hormones Imelda Whelehan (Professor of English and Gender S Book 2014 Palgra

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Arresting

Lecture Notes in Social Networks novels exhibit a consciousness that images of retreat and decline are dominant in culture and that there is no acceptable way to behave as an older woman. The central part of my discussion will consider the fiction and criticism of Liz Byrski, who has spoken out about the near invisibility of older

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WSN Security Mechanisms for CPS,ity of the ‘cougar’: an older woman who seeks younger lovers. By celebrating a woman’s capacity to ‘flirt, flourish and fornicate into [her] fifties and beyond’,. both Salisbury’s debut memoir and its sequel, . (2009), ride the crest of the wave of this recent fascination with sexually agentic midli

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https://doi.org/10.1007/978-1-4842-2740-4lder female characters, they have often been stereotyped as gossipy, asexual spinsters or as battle-axe figures feared by their husbands. Vera Duckworth in long-running British soap . embodied the latter, her marriage a seaside postcard caricature of a wife who wants to keep the romance going, while

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https://doi.org/10.1007/978-1-4842-2740-4e than quadrupled in the last three decades, a fact reflected by the intense debate (and often criticism) surrounding older mothers in a wide range of popular media texts.. While much important work has focussed upon the pregnant body and the vilification of the young, working-class mother, the olde

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Imelda Whelehan (Professor of English and Gender S

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,Introduction: Popular Culture’s ‘Silver Tsunami’,als; theirs is a history of social change, political protests and questioning tradition; they are used to making demands and having them met. The old and ageing saturate the news in some ways, but they remain largely out of focus in popular culture. Unattractive portraits of the old affect the middl