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Titlebook: Ageing Women in Literature and Visual Culture; Reflections, Refract Cathy McGlynn,Margaret O‘Neill,Michaela Schrage-Fr Book 2017 The Editor

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發(fā)表于 2025-3-25 03:45:55 | 只看該作者
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發(fā)表于 2025-3-25 08:38:12 | 只看該作者
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發(fā)表于 2025-3-25 14:46:03 | 只看該作者
https://doi.org/10.1007/978-3-030-66591-3ypically independent younger selves and their highly dependent older selves provides the dramatic power of these two films. It examines the effects this dichotomy imposes on the way of narrating Alzheimer’s Disease and contrasts the two approaches taken in the films.
24#
發(fā)表于 2025-3-25 18:55:24 | 只看該作者
https://doi.org/10.1007/978-3-030-66591-3covery. Analysing Lily’s journey inward and backward in time as an example of fictional life review, this chapter shows how Lily’s rich inner life complicates conventional notions of the protagonist’s identity as wife, widow and elderly mother as well as the concept of ageing as a linear narrative of decline.
25#
發(fā)表于 2025-3-25 22:47:11 | 只看該作者
Understanding Reflective Practiceteroception” (Leder in . .) in order to analyse Shaw’s subversion of behavioural scripts to which the aged female body is subject. It also examines how interruption, as a strategy employed in ., negotiates the cognitive, material and professional status of Shaw’s post-stroke body, and produces an explicitly fragile age-performance.
26#
發(fā)表于 2025-3-26 01:50:58 | 只看該作者
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發(fā)表于 2025-3-26 04:58:33 | 只看該作者
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29#
發(fā)表于 2025-3-26 16:16:53 | 只看該作者
Critical Reflections on ICT and Education range of ageing female stars and the emergence of a number of high-profile “silvering screen” films. A close reading of three films, . (2012), .. (2013) and . (2015) explores the parameters, both visual and narrative, of recent representations of ageing women and sexuality.
30#
發(fā)表于 2025-3-26 20:44:43 | 只看該作者
Tuyen Van Nguyen,Helena Sit,Shen Chene charges women to “allow their faces to show the lives they have lived”?(1972, 38). If only it were that simple. In response, this paper presents studies of ageing within fiction by Irish women writers, to gauge how far women have really responded to Sontag’s directive.
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