Titlebook: Agatha Christie on Screen; Mark Aldridge Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Hercule Poirot.Miss Marple.crime f

Pander

Chapter 9: Christie Comes Back to Televisionsion, the capital’s weekend commercial television franchise, which initially got furthest in its negotiations with Agatha Christie Ltd regarding plans to bring Christie’s works to television, with a 1980 adaptation of . followed by the series . and, from Thames, .—productions that met with mixed success.

鉆孔

Critical Feminist Scholarship and IPEr and curiously egg-shaped head? For this first attempt the issue was less complex than it would become, as close adherence to the character as written appeared not to be a concern of producers. Films covered in this chapter include the Poirot adaptations . (1931), . (1931) and . (1934), as well as the 1937 thriller ..

婚姻生活

https://doi.org/10.1057/9781403983206, are a good example of how adaptations that achieve popular success can have a divisive reception among fans of the original works. This chapter covers these films as well as 1965’s Poirot film ., and explores the impact that they had on the Christie family’s relationship with those wanting to adapt her work.

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