Titlebook: Agatha Christie; Investigating Femini Merja Makinen Book 2006 Palgrave Macmillan, a division of Macmillan Publishers Limited 2006 gender.so

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Piroska Haller,Béla Genge,Adrian-Vasile Dukat many critics, especially the more recent feminist attempts at recuperation of Christie, have tended to focus on just a few texts and make over-large generalisations about her . from those few examples. I felt a real need to document what was actually present in the texts and for that reason this w

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https://doi.org/10.1007/978-1-4615-0495-5 as the ‘other’ of Occidental mastery, have been challenged and complicated, but they still prove useful to someone analysing English representations of the East. Christie’s representations of foreign cultures delineate three major types of the East – the Arab, the Jew and the Greek (often linked te

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Introduction,f the criticism of her, particularly when it came to gender. I wanted to find a way of arguing that, plying her craft during the first half of the twentieth century, Christie was writing during a period of intense gender renegotiation in relation to the modern world and that a political conservatism

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Preliminary Proceedings, for the first time in 1918 and women’s ability to engage in a profession followed in 1919, when Parliament dismantled the legislation preventing them from doing so. In 1928 the ‘Flapper Vote’ allowed women to vote at the same age as their male counterparts. Middle-class women’s education, up until