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Titlebook: Afterlives of the Lady of Shalott and Elaine of Astolat; Ann F. Howey Book 2020 The Editor(s) (if applicable) and The Author(s), under exc

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樓主: Magnanimous
31#
發(fā)表于 2025-3-26 23:22:01 | 只看該作者
Better Deposit Guarantee Schemes of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our rel
32#
發(fā)表于 2025-3-27 03:55:53 | 只看該作者
Ann F. HoweyAddresses a number of scholarly communities including Arthurian scholars, medievalists, and Victorian scholars.Extends the study of Arthurian characters by focusing on female characters via a feminist
33#
發(fā)表于 2025-3-27 09:13:40 | 只看該作者
34#
發(fā)表于 2025-3-27 12:11:13 | 只看該作者
The Lady and Elaine: Medieval Literature and Victorian Adaptation,hat tradition in the nineteenth century, and briefly surveys some of his contemporaries’ responses. By analyzing the medieval pre-texts and Tennyson’s poetry, and outlining relevant scholarly debates about them, this chapter establishes the literary context with which later adaptations engage.
35#
發(fā)表于 2025-3-27 13:52:07 | 只看該作者
36#
發(fā)表于 2025-3-27 20:22:22 | 只看該作者
Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.
37#
發(fā)表于 2025-3-28 00:08:00 | 只看該作者
38#
發(fā)表于 2025-3-28 05:51:05 | 只看該作者
39#
發(fā)表于 2025-3-28 07:53:18 | 只看該作者
40#
發(fā)表于 2025-3-28 12:00:41 | 只看該作者
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.
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